I try to browsing about History of Winnie the Pooh at Wikipedia, and found it.
History :
Milne named the character Winnie-the-Pooh after a teddy bear owned by his son, Christopher Robin Milne, who was the basis for the character Christopher Robin. His toys also lent their names to most of the other characters, except for Owl and Rabbit, who were probably based on real animals, and the Gopher character, who was added in the Disney version. Christopher Robin's toy bear is now on display at the Donnell Library Center Central Children's Room in New York.
Christopher Milne had named his teddy after Winnipeg, a bear which he and his father often saw at London Zoo, and "Pooh", a swan they had met while on holiday. Winnipeg the Bear was puchased from a hunter for $20 by Canadian Lieutenant Harry Colebourn in White River, Ontario, Canada, while en-route to England during the First World War. He named the bear "Winnipeg" after his hometown in Winnipeg, Manitoba. "Winnie", as she became known, was surreptitiously brought to England with her owner, and gained unofficial recognition as a regimental mascot. Colebourn left Winnie at the London zoo while he and his unit were in France; after the war she was officially donated to the zoo, as she had become a much loved attraction there. Among her many young fans was Christopher Milne, who named his own teddy bear "Winnie". Pooh the swan appears as a character in its own right in When We Were Very Young. In the first chapter of Winnie-the-Pooh, Milne offers this explanation of why Winnie-the-Pooh is often called simply "Pooh": "But his arms were so stiff ... they stayed up straight in the air for more than a week, and whenever a fly came and settled on his nose he had to blow it off. And I think - but I am not sure - that that is why he is always called Pooh." The home of the Milnes, Ashdown Forest in East Sussex, England, was the basis for the setting of the Winnie-the-Pooh stories. The name of the fictional "Hundred Acre Wood" is reminiscent of the Five Hundred Acre Wood, which lies just outside Ashdown Forest and includes some of the locations mentioned in the book, such as the Enchanted Place. The origin of the "Poohsticks" game is at the footbridge across a tributary of the River Medway near Upper Hartfield, close to the Milne's home at Posingford Farm. It is traditional to play the game there using sticks gathered in nearby woodland. When the footbridge required replacement in recent times the engineer designed a new structure based closely on the drawings (by E H Shepherd) of the bridge in the original books, as the bridge did not originally appear as the artist drew it. There is an information board at the bridge which describes aspects of how to play the game there. Periodically the water authority has to come with an excavator and remove the large mass of stalled Poohsticks which can build up in the river bed downstream of the bridge over time, to the extent of causing some localised flooding.
Publication :
Pooh first appeared in December 1925, when what became the first chapter of the book Winnie-the-Pooh was commissioned as a Christmas story by London's Evening News. The book was published in October 1926 by Methuen, the London publisher of Milne's earlier children's work When We Were Very Young. The illustrator was E.H. Shepard, who had also drawn the pictures for the earlier book.
Disney :
Stephen Slesinger acquired US and Canadian merchandising, television, recording and other trade rights to the "Winnie-the-Pooh" from A. A. Milne in the 1930s, and developed "Winnie-the-Pooh" commercializations for more than 20 years. After Slesinger's death in 1953, his wife, Shirley Slesinger Lasswell, continued developing the character herself. In 1961, she licensed rights to Disney in exchange for royalties in the first of two agreements between Stephen Slesinger, Inc. and Disney. The same year, Daphne Milne also licensed certain rights, including motion picture rights, to Disney. Since 1966, Disney has released numerous features starring Winnie the Pooh and related characters. Many direct-to-video featurettes have been created, as well as the theatrical feature-length films The Tigger Movie, Piglet's Big Movie, and Pooh's Heffalump Movie. In December 2005, Disney announced that the Disney Channel animated television series, My Friends Tigger & Pooh, will focus on adventures had by 6-year-old Darby and the Pooh characters, with the occasional appearance from Christopher Robin. The Disney version of Winnie the Pooh was featured in Cartoon All-Stars to the Rescue, the Kingdom Hearts videogames and the TV series House of Mouse Pooh also appears at Walt Disney Parks and Resorts as a meetable and child friendly character.Ownership controversy :
Pooh videos, teddy bears, and other merchandise generate substantial annual revenues for Disney. The size of Pooh stuffed toys ranges from Beanie and miniature to human-sized. In addition to the stylized Disney Pooh, Disney markets Classic Pooh merchandise which more closely resembles E.H. Shepard’s illustrations. It is estimated that Winnie the Pooh features and merchandise generate as much revenue as Mickey Mouse, Minnie Mouse, Donald Duck, Goofy, and Pluto combined. In 1991, Stephen Slesinger, Inc. filed a lawsuit against Disney which alleged that Disney had breached their 1983 agreement by again failing to accurately report revenue from Winnie the Pooh sales. Under this agreement, Disney was to retain approximately 98% of gross worldwide revenues while the remaining 2% was to be paid to Slesinger. In addition, the suit alleged that Disney had failed to pay required royalties on all commercial exploitation of the product name.Though the Disney corporation was sanctioned by a judge for destroying millions of pages of evidence, the suit was later terminated by another judge when it was discovered that Slesinger's investigator had rummaged through Disney's garbage in order to retrieve the discarded evidence. Slesinger appealed the termination, and on September 26, 2007, a three-judge panel upheld the lawsuit dismissal. After the Sonny Bono Copyright Term Extension Act of 1998, Clare Milne, Christopher Milne's daughter, attempted to terminate any future U.S. copyrights for Stephen Slesinger, Inc. After a series of legal hearings, the United States District Court found in favor of Stephen Slesinger, Inc., as did the US Court of Appeals for the Ninth Circuit. On Monday, June 26, 2006, the US Supreme Court refused to hear the case, thus sustaining the Appeals Court ruling and ensuring the defeat of the suit. On February 19, 2007, it was reported Disney lost a court case in Los Angeles which ruled their "misguided claims" to dispute the licensing agreements with Slesinger, Inc. were unjustified. In doing so, the claims by Slesinger, Inc. can now be tackled without any argument over who owns the rights. Though the ruling was downplayed by a Disney attorney, the outcome of the case should prove a significant blow to Disney's revenue, since Pooh-related merchandise has been reported to bring the Walt Disney Company approximately 1 billion dollars a year.
Adaptations :
Radio
Pooh made his radio debut in 1930 in New York. Readings of various Winnie-the-Pooh stories have been broadcast on BBC Radio 4 in the United Kingdom with narration by Alan Bennett and also have been released as recordings.
Broadway
Pooh debuted on Broadway with Sue Hastings' Marionettes in the 1930s.
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